8/18/2023 0 Comments Different contexts within artwork![]() Log files do not capture personal information but do capture the user's IP address, which is automatically recognized by our web servers. Website log files collect information on all requests for pages and files on this website's web servers. You may, however, visit our site anonymously. When ordering or registering on our site, as appropriate, you may be asked to enter your: name, e-mail address, mailing 0address, phone number or credit card information. University of Hawaiʻi Press collects the information that you provide when you register on our site, place an order, subscribe to our newsletter, or fill out a form. University of Hawaiʻi Press Privacy Policy WHAT INFORMATION DO WE COLLECT? Morgan Pitelka, Editor Morgan Pitelka is associate professor of Asian studies at the University of North Carolina at Chapel Hill. Hevia, Janet Hoskins, Kaja McGowan, Jan Mrázek, Lene Pedersen, Morgan Pitelka, Ashley Thompson. Rather than lead to a single universalizing definition of art, the essays offer multiple, divergent, and case-specific answers to the question “What is the use of art?” and argue for the need to study art as it is used and experienced.Ĭontributors: Cynthea J. ![]() The chapters consider art objects as they are involved in the world: how they operate and are experienced in specific sites, collections, rituals, performances, political and religious events and imagination, and in individual peoples’ lives how they move from one context to another and change meaning and value in the process (for example, when they are collected, traded, and looted or when their images appear in art history textbooks) how their memories and pasts are or are not part of their meaning and experience. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace from the adventures of a Balinese magical dagger to the political functions of classical Khmer images-the authors challenge prevailing notions of artistic value by introducing new ways of thinking about culture. ![]() The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |